MegaPack
$89.00
Mega Pack - universal pack of 54 gels 12"x12", 30.5x30.5 ρμ
Contains practically everything you need to handle any lighting situation. CTO to convert daylight to tungsten, CTB to convert tungsten to daylight, greens to match fluorescent tubes, a wide variety of effects filters to add colour to backgrounds and accent lights, several diffusion gels for working with lighting spot and feathering shadow edges.
Gels are packed in a cardboard tube 14" (35 cm) long and 3" (8 cm) diametr, convenient for storage and transportation of filters. Each sheet has a label indicating its number.
  ITEM
 
DESCRIPTION
 
PCS
 
201 FULL C.T. BLUE
Converts tungsten (3200K) to photographic daylight (5700K).
2 pcs
202 HALF C.T. BLUE
Converts tungsten (3200K) to daylight (4300K).
1 pcs
203 QUARTER C.T. BLUE
Converts tungsten (3200K) to daylight (3600K).
2 pcs
204 FULL C.T. ORANGE
Converts daylight (6500K) to tungsten light (3200K).
2 pcs
205 HALF C.T. ORANGE
Converts daylight (6500K) to tungsten light (3800K).
1  pcs
206 QUARTER C.T. ORANGE
Converts daylight (6500K) to tungsten light (4600K).
2 pcs
244 PLUS GREEN
Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC30 green camera filter.
2 pcs
245 HALF PLUS GREEN
Used on daylight and tungsten light sources to provide green cast when used in conjunction with discharge lighting. Approximately equivalent to CC15 green camera filter.
2 pcs
247 MINUS GREEN
Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC30 magenta camera filter.
2 pcs
248 HALF MINUS GREEN
Used on lighting to eliminate unwanted green cast created by discharge light sources on film. Approximately equivalent to CC15 magenta camera filter.
2 pcs
216 WHITE DIFFUSION
A strong diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths.
2 pcs
250 HALF WHITE DIFFUSION
A medium diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Stop value: 3/4
2 pcs
251 QUARTER WHITE DIFFUSION
A weak diffusion used for soft light effects. Manufactured on a tough Polyester base in a range of seven strengths. Stop value: 1/3
2 pcs
253 HAMPSHIRE FROST
A light frost effect. Stop value: 1/4
2 pcs
209 0.3 ND
Reduces light intensity without changing colour. Stop value: 1
2 pcs
210 0.6 ND
Reduces light intensity without changing colour. Stop value: 2
2 pcs
101 YELLOW
Sunlight and window effect - pleasant in acting areas. Stop value: 1/3
1 pcs
182 LIGHT RED
Good for theatre and television effect lighting as well as cycloramas. Stop value: 3 1/3
1 pcs
139 PRIMARY GREEN
Good for set lighting and cyclorama lighting. Stop value: 3
1 pcs
181 CONGO BLUE
Looks like black light when used with a fluorescent source. Great effect colour. Very saturated. Stop value: 7
1 pcs
164 FLAME RED
Great for fire effects. Stop value: 2 2/3
1 pcs
022 DARK AMBER
A good backlight. Stop value: 2
1 pcs
169 LILIAC TINT
A pale lavender. Good for almost white light with a cool tint. Stop value: 1
1 pcs
126 MAUVE
Good for backlighting. Dark magenta/purple adds drama and mood. Stop value: 4 2/3
1 pcs
002 ROSE PINK
Strong pink wash, good for cycloramas. Stop value: 1 2/3
1 pcs
119 DARK BLUE
Good for mood effects created by backlighting and side lighting. Creates great contrast. Stop value: 5
1 pcs
116 MEDIUM BLUE-GREEN
A pleasing effect for theatrical lighting. Stop value: 2 2/3
1 pcs
118 LIGHT BLUE
A strong night effect. Stop value: 2 1/3
1 pcs

105 ORANGE
Good for light entertainment and functions. Creates a good fire effect when used with 106 or 104. Stop value: 1 1/3
1 pcs

147

APRICOT
Good for sunrise, sunset and lamplight effects. Stop value: 1
1 pcs

184

COSMETIC PEACH
A warm highlight or front light; complimentary for most skin tones. Stop value: 1
1 pcs